Wednesday, September 28, 2011

Studio Arts post

Below the fold is the schedule of the fall semester of CG classes held at Studio Arts in downtown L.A. All of the following classes are eligible for two-thirds reimbursement for qualified members through the CSATTF skills training grants.


Grant applications must be submitted before the first class session. For class information or to register, call Eric Huelsman at (323) 227-8776; for grant applications and requirements go to animationguild.org/grant-classes.

Unless otherwise indicated, all classes are held once a week.

  • After Effects 101
    starts October 26



  • Avid Media Composer 1
    starts October 22



  • Cinema 4D – 201
    starts October 22



  • Corel Painter
    starts October 26



  • Digital Design and Illustration
    starts October 23



  • Digital Set Decoration
    starts October 23



  • Digital Storyboarding
    starts October 22



  • Flash 101
    starts October 28



  • Illustrator 1
    starts October 23
    One-week intensive class starts October 24



  • Lighting 1
    starts October 28



  • luxology modo level 1

    starts November 19



  • Maya 101
    starts October 27
    One-week intensive class starts December 5



  • Nuke 101
    starts October 25



  • Painting with Photoshop
    starts October 24



  • Photoshop 1 – Basics
    starts October 23
    One-week intensive class starts October 3



  • Photoshop for Art Dept.
    starts October 22



  • Previs 101
    starts October 24



  • SketchUp Pro 101
    starts November 13



  • SketchUp Pro 201
    starts October 24



  • Toon Boom 1
    starts October 27



  • VectorWorks 101
    starts October 25



  • ZBrush 101
    starts October 22


Friday, March 4, 2011

test 2


Animation Guild
GENERAL MEMBERSHIP MEETING
Tuesday, May 31, 2011
Pizza and refreshments, 6:30 pm
Meeting, 7 pm

Animation Guild meeting hall
1105 N. Hollywood Way, Burbank
(between Chandler and Magnolia)



AGENDA:

Panel discussion

"The Transition To Compositing"

Join noted compositors SARI GENNIS, CHRIS SIMMONS, GREG TEEGARDEN and others in a wide-ranging discussion of compositing, and how it has served as a transition craft for traditional animation artists making their way into the worlds of 3D and visual effects.


Inactive members (suspended or withdrawn) may attend; they have voice but no vote in the meeting. Non-members should check in with the Sergeant-At-Arms; they may participate in the panel but not in the meeting.

Friday, February 25, 2011

More Walt (Unicode)

Earlier this week, Walt Peregoy had a show opening at 14242 Ventura Boulevard in Sherman Oaks. ...














There was a nice turnout and a fine array of Mr. Peregoy's work (some of which can be seen in the slide show above, including a photo of Walt P. with his nephew Steve Peregoy.) If you have a chance to pop by and see the paintings, do so. They're up through February 27th.


Wednesday, February 9, 2011

Ken Muse test post













Our first Megacollector post for 2011 starts off with a Fantasia model sheet by Fred Moore. The other images are by Ken Muse (1910-1987).

Muse started his professional career as an assistant on Fantasia, then graduated to animator on several Mickey shorts. He left Disney after the 1941 strike and signed on at MGM, where he spent seventeen years in the Hanna-Barbera unit, working on over one hundred and twenty shorts.


After MGM closed he followed his mentors to the new Hanna-Barbera studio, where he animated the pilot episode of a new show called "The Flagstones," and eventually worked on pretty much every show at the studio until he retired. (Little known fact: late in his life he did some uncredited assisting on The Fox and the Hound.


Here's the best-known piece of Ken Muse animation, the Gene Kelly-Jerry Mouse sequence from Anchors Aweigh (1945):



Click the thumbnails for full-page images from the slideshow:


Fantasia model sheet, by Fred Moore


Tom the cat, by Ken Muse


Donald Duck, by Ken Muse

Tuesday, January 4, 2011

Tonight we're gonna party like it's 1849


(Western) clothing optional.



Come celebrate the New Year at the

ANIMATION GUILD NOT-A-HOLIDAY HOLIDAY PARTY!


Friday, January 7, 2011
Starts at 7 pm
Entire museum open until 10 pm
Party lasts 'til midnight!

Autry National Center of the American West
In Griffith Park across from the L. A. Zoo
Free food * Cash bar * Plenty of free parking


No RSVPs necessary
Open to the community of animation and the community of labor


Here is a flyer for the party


Friday, December 10, 2010

Slideshow test

Surfing the web, I came across a real-estate listing for this house at 3763 Fredonia Drive overlooking Cahuenga Boulevard in the Hollywood Hills. Why is this house of interest to the readers of this blog?



Text below the break goes here.



Wednesday, November 17, 2010

A Ralph Hulett Christmas, part 2


Click on the thumbnail
for a full-sized image

[STEVE'S COPY HERE]

Tuesday, November 16, 2010

Ruben Aquino Interview

We here present our first TAG interview with a leading light of the animation industry, kicking off this new feature via a conversation with one of the pillars of the Walt Disney Animation Studios, supervising director Ruben Aquino ...



Click to play | Right-Click and Save to download




We'll be running interviews throughout the coming year. They won't be appearing with any kind of metronomic clockwork, but as we get around to


A) Conducting them,


B) Editing them, and


C) Putting them up.


Hope you like the results.


Thursday, October 21, 2010

alma test


As part of his deal with DreamWorks Animation, Guillermo Del Toro will produce a feature version of Rodrigo’s award-winning short Alma.



Blaas made the short on his own time while he was working as an animator at Pixar. He will direct the feature version of Alma, and will also co-direct the Trollhunters feature with Del Toro.


Friday, October 8, 2010

Candidate statement

Gordon Kent

Candidate for Executive Board




I’ve been a member of the Animation Union since 1977 when I was an inbetweener at Hanna-Barbera. Since then I’ve worked at most of the major studios and been involved in most aspects of animation including storyboard, writing and story editing, producing, voice directing and, most currently, timing direction. I believe in a strong union and I believe that strength is best achieved through involvement. I hope you will allow me the privilege of getting involved.




Here is the 2010 candidate slate.

Here are other posts about the 2010 TAG officers' election.

Monday, September 13, 2010

Phil Lewis test


In honor of the late background artist who passed away on August 12.
2410 S. Santa Fe Ave., Los Angeles
RSVP to Janet at (805) 653-6590 or mizzjanet@sbcglobal.net

Friday, September 10, 2010

A.Muse test post

China Blue, by Barbara Schade
China Blue, by Barbara Schade. Click the images for links to larger versions.

In case you missed the opening of the A.Muse Salon show at Gallery 839 yesterday, below the fold you'll find profiles of the artists and samples of their work. The show will be open on Friday, September 17 and Friday, September 24 from 11 am to 2 pm, at the TAG offices in Burbank.



Grand Roses, by Rita Joyce
Grand Roses, by Rita Joyce.

RITA JOYCE, a California Artist, creates shadow and light with a vibrant pallet. She is best known for her distinctive, gold embellished images of birds, tropical flowers, palms, and exotic wildlife, as well as extravagant, old world inspired urns profuse with flora and fauna. A contemporary series titled "Float" is presently being developed.


Rita uses creative visualization to compose mental pictures prior to painting. Using photos from her travels to botanical gardens and wildlife habitats, she then puts brush to canvas. She is influenced by Georgia O'Keefe, Jesse Arms Botke, Gustav Klimt, the Dutch Masters and the California impressionists. Rita has studied with many prominent watercolor and oil masters, and has attended the California Art Institute and Art Associates.


During her career as a professional Artist, Rita has received numerous awards and participated in many one woman shows, as well as group showings. She has exhibited at the Los Angeles and New York Art Expos, Art 21-Art for the 21st Century and various shows at the Carnegie Cultural Center. She is included in Noel Goldblatt's "People of the Century" collection, and was commissioned by the Pan American Museum Foundation to illustrate their collections of Pre-Colonial Mexican Masks and Amazon Indian feather work. As well she worked for Walt Disney studios creating back grounds for The Tigger Movie, a feature film.


She has exhibited her unique style of artistry in over 40 galleries and museums in the continental United States, Hawaii, Japan as well as cruise ships around the world. Her award winning paintings are included in major private and corporate collections, and she is also a member of the Huntington Library Artists Guild.


Ritz Carlton Hotels and The Universal City Hilton have chosen Rita's work for their interior design.




Hiver en Forêt de Fontainebleau, by Stephanie Pyren
Hiver en Forêt de Fontainebleau, by Stephanie Pyren

The numerous works of STEPHANIE PYREN are a fascinating fusion of passionate life and ethereal spirit executed with the poetic sensitivity of the old masters. Stephanie is competent in all medias: watercolors, oils, graphics and pastels.


She was born in Pennsylvania but, at the age of 10, the family moved to California and it was there she began her artistic career receiving awards and scholarships. She gained her BA of Fine Arts at California State University Northridge while working as a fashion illustrator for a major fashion company and then as a character and background artist in the animation industry. Stephanie's talent has taken her to numerous locations and professions.


She taught life drawing, fashion illustration and window display at the University of South Carolina. She was asked to teach background painting techniques for a major American animation company in Bangkok, Thailand as well as she worked at most major studios in Los Angeles. Also to her credit, she has illustrated four children's books, developed a line of toys with, "Small World Toys and the "Little Old Toy Maker" companies and continues with new ongoing ventures.


Although her career is somewhat diverse, her need to create fine art is her omnipresent driving desire. Her first professional show was at the age of eighteen and from there she has had many one-man showings nationally and internationally. In 1989.She moved to France at the request of the famous painter Jacques Harvey to help recreate the famous "School of Barbizon. where she exhibited her work in Barbizon, Paris and throughout Europe. At that time she was also commissioned to paint both paintings and murals for private collectors and public enterprises. She was honored when asked to paint a mural depicting the village of Barbizon in the local restaurant "Le Royal" which still receives much acclaim. Stephanie travels yearly to Europe and continues to paint the landscapes and people of the various cities she visits.


Stephanie's paintings has been received well and her clientele continues to grow with many prominent collectors.




BARBARA SCHADE is a fifth generation Californian whose broad exposure to the cultural diversity of the Los Angeles area in music, theatre, dance and the arts is an exciting inspiration to this artist.


Starting at the Walt Disney Studios in 1954, she worked on "Sleeping Beauty" and "Lady and the Tramp", at UPA Studios on "Mister Magoo", and with Ray Bradbury on his "Icarus" film on flight.


She developed her painting skills for many years primarily in transparent watercolor, painting for galleries, client commissions and regional art shows.
One of the founding members of Valley Watercolor Society, she was very active in many Ventura county art associations and was elected president of Simi Valley Art Association. She then chaired annual shows and developed publicity for a number of years. She was selected as a judge and juried regional art shows, teaching watercolor painting, including workshops and demonstrations throughout California.


After returning from a Watercolor Creativenture in China in 1981 where she painted on location with leading Chinese painters, she put together an exhibition of paintings, and many opportunities have occurred as a result this experience.


Notably her painting "Walpi" was purchased by the World Affairs Council as a gift to the Chinese government from the Reagan Administration prior to President Reagan's trip to China. The painting hangs in the Foreign Affairs building in Tiananmen Square, Beijing.


In 1991 she returned to the animation industry painting backgrounds and creating designs for many different productions including TV commercials. She was honored in 1997 with an individual "Emmy for Background Painting " for a Chinese fairy tale "The Magic Pearl" at Film Roman Studios.


Returning to Disney after many other studio productions, she completed painting for "The Tigger Movie", "The Three Musketeers", and "Lilo and Stitch" before retiring in 2003.



Slot Canyon, by Gwen Wetzler
Slot Canyon, by Gwen Wetzler

GWEN SANDIFF WETZLER began oil painting at the age of six. In high school Wetzler studied art under Joe Playcan at the Erie Trade Technical School, she excelled in her studies which led to a prized Scholarship to Syracuse University.


In 1955 she arrived in Los Angeles and was accepted by The Walt Disney Studios for their new Apprentice Program where she worked as an inbetweener in the animation department. Over the next 50 years Wetzler worked in the animation industry, she became the first woman to Direct at a major studio and then the first woman to Produce. Wetzler was later acknowledged for her ground breaking accomplishments as a Director and Producer in the industry.


Wetzler directed at Filmation Studios working on such projects as "Flash Gordon" and "The Greatest Adventure of All," which became a Movie of the Week on CBS. At Marvel Studios she produced several successful animation series such as "Transformers," "Jem and the Holograms" and "Young Astronauts."


Wetzler has returned to painting, she works primarily in watercolors and mixed media. Her work can be seen at select juried shows and in fine art galleries in the U.S.


Wetzler, along with three other artists, is a founding member of A.Muse Artists Salon. The first A.Muse group show will be held at The Autry National Center's gallery in 2010. She will exhibit her recent collection of original watercolor paintings inspired by natural earth formations. Her work is sought after by many fine art collectors.


Tuesday, August 24, 2010

Chart post test run

Employment at TAG Union Shops, 2007-



There are 192 more members employed under our jurisdiction at TAG shops than there were in January of this year, the last time we broke down the state of employment.



Breakdown by Employer of Members at Union Shops, August 2010



A year or so ago, DreamWorks passed Disney to become the largest employer of TAG members. (The Disney numbers are inclusive of members working under a TAG contract as well as others working under IATSE contracts.)


Changes in TAG Employment Patterns, August 2008-August 2010



This increase in employment the the last two years is in spite of the fact that we have lost two substantial employers (Universal and Imagi), and will be losing another by the first part of 2011 (ImageMovers Digital). However, we've gained another potentially large employer (Hasbro), and there are others (such as Bento Box) that may increase to where they go past thirty covered employees and become another listed slice of our increasingly diverse pie.

Monday, April 5, 2010

Test Gallery post

Even though it was a holiday, a respectable crowd showed up on Friday for Alex Kube's "Scapes," the latest of our monthly First Friday opening shows at Gallery 839, the Guild's art gallery.





Right, musicians (including Alex's son) serenaded the crowd.



Among the guests were Jean-Pierre and Julie, two of Alex's models for works included in the show.


The gallery is located at 1105 N. Hollywood Way in Burbank, and is open Fridays from 11 am to 2 pm except on First Fridays when the new shows open.


Wednesday, March 3, 2010

AOR test


Lady and the Tramp, by John Freeman (1917-2011). © Disney.

A week from tomorrow, we once again celebrate the lives of those who have preceded us.



The Animation Guild, ASIFA Hollywood and Women In Animation present


AN AFTERNOON OF REMEMBRANCE


a non-denominational celebration of departed friends from our animation community:


  • Derdad Aghmalian
  • Wayne Allwine*
  • Ray Aragon*
  • Dina Gottliebova Babbitt
  • Barry Blitzer
  • Robert Broughton
  • Bill Browne
  • Lillian Chapman*
  • Art Clokey
  • Elizabeth Cotter*
  • Vincent Davis
  • Virginia Davis McGhee
  • Dom DeLuise
  • Jaime Diaz
  • Roy E. Disney
  • Bob Dranko
  • Jack Dunham
  • Heinz Edelmann*
  • Ric Estrada
  • Romeo Francisco*
  • John Freeman
  • Giulio Gianini
  • Henry Gibson*
  • Rod Gilchrist
  • Eugene Giudice*
  • Marion Green
  • Victor Haboush
  • Ann Hamilton
  • Millard Kaufman
  • Dana Landsberg*
  • Alla Marshall*
  • Dallas McKennon
  • Serge Michael
  • Michael Mitchell*
  • Flavia Mitman*
  • Brittany Murphy
  • Marty Murphy
  • Donna Narhuminti*
  • Ann Neale
  • June Olsen
  • Cathy Parotino
  • Tony Peters
  • Alexander Schure
  • Erich Segal
  • Dave Simons*
  • Arnold Stang
  • Mignonette Kerby Sterges
  • Yoshito Usui*
  • Kathy White

Saturday, March 13, 2010
Food and refreshments, noon
Memoriams, 1 pm


Hollywood Heritage Museum (Lasky-DeMille Barn)
2100 N. Highland (across from Hollywood Bowl), Hollywood

The Afternoon is free of charge and is open to all; no RSVPs necessary.


*If you can help us in finding speakers or memoriam writers for those persons marked with an asterisk above, please contact me by e-mail at the link below. If you cannot appear or speak in person please write something for us and we will have a volunteer read it (one speaker and three minute limit per honoree.) When possible we will give preference to speakers who knew the honoree personally.

If you know of anyone in the animation business who passed away between January 1, 2009 and January 31, 2010, and is not on our list, please let me know as. (Please know that Rudy Larriva passed away in February and will be honored in 2011.)

Thanks, Jeff Massie

Wednesday, November 25, 2009

Test post AAI list


Artist: Nicole Duet


The American Animation Institute, TAG's education program, has announced a "mini-semester" of classes starting in early January.


Registration is now open, and we encourage you to sign up as soon as you can since many of these classes will fill up. To register, call (818) 845-7000 during office hours, Monday-Friday 8:30 am to 5 pm. After registering by phone, make out checks to the American Animation Institute and send to: 1105 N. Hollywood Way, Burbank, CA 91505. You place in class is not guaranteed unless you have registered and paid. Payment is due by December 30, 2009. No refunds will be given after the first day of class.


Classes are listed in full below the fold. A PDF version of the flyer is available here. (Misteaks in the version attached to the earlier e-mail have been corrected.)



American Animation Institute
Winter 2010 "Mini-Semester
January-February 2010




Day classes




Head and Figure Painting


Instructor: Karl Gnass
Fee: $150.00

6 Mondays, January 4-February 8, 9:30 am to 4 pm


This course deals with the fundamentals and development of head and figure painting. Attention will be given to anatomy, structure and form followed with emphasis on character, mood and action. We will examine and explore different theories of color, the value scale, direct and indirect light and procedures used by various artists throughout history. There will be a running dialogue about composition and its importance. A one-day lecture tour of a Los Angeles museum is included. Finally, a look at personal approach, inviting the student to challenge established norms and limitations.




artist: Glenn Vilppu


Basic Figure Drawing and Anatomy
Instructor: Glenn Vilppu
Fee: $210.00


9 Tuesdays, January 5-March 2, 10:30 am to 4 pm


Classical figure drawing, with discussions of the application of anatomy to drawing.




Painting The Still Life
Instructor: Nicole Duet
Fee: $100.00


5 Thursdays, January 14-February 11, 10 am to 2:30 pm


Painting from the still life is one of the most quietly rewarding ways for students of all levels to develop the skills of a painter. This class covers fundamentals of paint handling and color mixing, and how to create the illusion of light, form and atmosphere. This class can provide either an in depth introduction to oil painting or a deepening of the student's understanding as a painter. Demonstrations and individual attention will be given. Call for supply list.




artist: Karl Gnass


Morphing Life Drawings Into Character Drawings
Instructor: Karl Gnass
Fee: $125.00


5 Fridays, January 8-February 5, 9:30 am to 4 pm


We will utilize life-drawing concepts, reviewing and clarifying them, to transform figures into characters for storytelling and animation. We will also work on character development and expression for portfolios.




2D (Traditional) Animation Workshop
Instructors: Alex Topete and Michael Polvani
Fee: $70.00


3 Saturdays, January 16-January 30, 9 am to noon


This intensive workshop in traditional animation basics will offer students practice in thumbnailing poses, staging, refining attitudes, acting and character expressions, dialogue, timing for animation, inbetweening, creating exposure sheets, and continued emphasis on drawing fundamentals. Students can expand their 2D reel in class working on an individual project or collaborating on a short team exercise. Students may work in Flash (on theirown laptops) or with pencil and paper (using classroom pencil-test equipment).




Evening Classes




Life Drawing
Instructor: Karl Gnass
Fee: $90.00


6 Mondays, January 4-February 8, 7 pm to 10 pm


A basic foundation figure drawing class. Emphasis on fundamentals of observing, interpreting and describing form. Procedures used inquick sketch, construction and fundamentals of volume and structure. The goal is to develop the ability to draw with skill and imagination.




Draped Figure and Costume
Instructor: Karl Gnass
Fee: $180.00


12 Wednesdays and Thursdays, January 7-February 12, 7 to 10 pm


We will take the confusion out of drapery by covering the important basic folds and how they relate to non-active folds and wrinkles. We will also explore the expressive qualities of drapery, drapery as costume, and costume as character.





Color and Composition
Instructor: Nicole Duet
Fee: $75.00


5 Wednesdays, January 13-February 10, 7 to 10 pm


A workshop focusing on the basic visual and aesthetic interactions of color. Topics include developing sensitivity in color perception and intensive practice in mixing color. Special focus on color harmony, dynamic color as an aspect of composition, and learning to use color to create effects of luminosity, depth and atmosphere in a painting. Students also develop a basic understanding of color as it relates to composition and form, including discussion of historical examples of color use in painting. Call for supply list.




To register, call (818) 845-7000. After registering by phone, make out checks to the American Animation Institute and send to: 1105 N. Hollywood Way, Burbank, CA 91505. Payment is due by December 30, 2009. No refunds will be given after the first day of class.


Thursday, October 29, 2009

Test post


Focus Features invites you and a guest to a special 3D Screening of


Coraline


Immediately following the screening, please join us for a Q&A with Director Henry Selick & Supervising Sound Editor-Designer Ron Eng
Tuesday, November 3, 7:30 pm
Linwood Dunn Theatre at the Mary Pickford Center
1313 Vine Street, Hollywood
(hosted parking available off of Homewood Avenue)


RSVP to 818-777-4627


Seating is limited and is on a first-come, first-served basis. This invitation is non-transferable.

Saturday, October 17, 2009

Christmas post test

Christmas Time
Christmas Eve, Santa summons the reindeer from out a forest of NOEL trees.

© 1955 by the Estate Of Ralph Hulett. Click on the thumbnail to see a full-sized image.

Come see Ralph Hulett Christmas cards at our art gallery, open weekdays 8:30 am-5 pm.

Here are more Ralph Hulett Christmas cards.

Friday, August 24, 2007

The Links of 'Toons


Time again for linkage far and wide on the biz that makes cartoons...


Variety details the robust and expanding French animation industry. (French animation? Mon Dieu!)


...French animation has grown up with an eye toward the international market -- because it has had to.


Coin from French broadcasters typically covers only around 15% of an animation series' production costs, so a project simply cannot get off the ground unless it attracts international presales or co-production deals.


That economic reality, coupled with a plentiful talent pool of animators trained at internationally reputed schools such as Paris' Les Gobelins and La Poudriere, in the South of France, has put French animation up there with the world's best.



The Hollywood Reporter tells us that Hollywood movies are putting more bells and whistles into end credits (which, as we know, can roll on endlessly), including this about Ratatouille...


As several recent movies demonstrate, filmmakers are getting creative with their end credits. They're starting to add a flourish that's akin to an exclamation point at the end of a sentence, giving viewers a reason to stay a bit longer in their seats for a memorable treat....


The end credits for "Ratatouille" came about during the design stage of the movie, when the filmmakers discovered drawings done by fresh-from-Cal Arts grad Nate Wragg. Wragg then was paired with Teddy Newton, who designed the credits for Bird's "The Incredibles."


One reason Pixar went with the 2-D credits was practicality. Bird came into the project so late in the process that all computer resources were diverted to making the main movie.


"We certainly didn't have any more bandwidth to do 3-D," producer Brad Lewis says. "We were maxed out. So that was probably a factor..."


As we did earlier this week, Rob Pegorora in the Washington Post weighs in on the high def wars:


* HD DVD's single most appealing feature is its hybrid-disc option, in which a single disc can contain both a DVD and a high-def version of the movie, meaning you don't have to buy one copy of the movie for viewing at home and another to watch on your computer. But it's been half-ignored in practice, with studios either failing to support it at all or reserving it for new releases.


* Blu-Ray is an extraordinarily lame product name (even if it's no "Xohm").


The only safe move continues to be DVD. Get an "upconverting" player and connect it to an HDTV with high-def video cables, and you'll have a risk-free solution with video quality that falls short of what's capable, but which should also be good enough for most people.


If enough customers do this, the entire format war might end in the most fitting manner possible: a nothing-nothing tie, with lots of injuries on both teams.


(Tech Digest has a cynical view of the Paramount-DreamWorks-Toshiba menage a trois here.)


The Huffington Post's Michael Giltz has some acerbic observations about Political Correctness in films, and this paragraph about Popeye the Sailor (which we've covered before):


The worst sins of these Popeye cartoons include vile stereotypes of Japanese as World War II approached and the sight of two men fighting over a helpless woman. Among the extras are many commentary tracks, quite a number of bonus cartoons and two substantial documentaries, including "I Yam What I Yam: The Story Of Popeye the Sailor, which is relatively frank about the decline of the cartoons after the era covered in this set. (By the Seventies, Popeye wasn't even allowed to hit anyone. What's the point, wondered one animator?)


From Netribution's Nicol Wistreich in the U.K. comes this report on some commies who attack our fine free-market system:


The BuynLarge Corporation's website illustrates a future where one company effectively controls everything on the planet - from industry and media to the world clock, government, and, even North on the compass. If it want's to stop paying tax, it can. It's opponants such as anarchists and anti-consumer groups, are in fact 'customers we haven't reached yet'. To top it all the site is littered with cringable stock photography and a web-standards unfriendly Flash interface.


And the source of this smart (and wet myself funny) illustration of the nightmare Stalinist totalitarian future for unchecked global capitalism? Adbusters, perhaps? Greenpeace or Armando Iannucci or Chris Morris?


It's actually Disney subsidiary PIxar and the new promotion site for 2008's Wall-E....


While we're on the subject of cgi animated features, India is ready to release its first home-grown cg feature (the sub-contracting jobs don't count...)


ICY ‘N’ SPICY is destined to be India’s first 3D full length animation feature film. It is due for release in first week of September 2007.


It is a project which was conceived more than two years back by the young and dynamic director Anil Goyal and was brought to the drawing board nearly 18 months back...


Lastly, old Disney animation chiefs don't fade away, they just move on to new venues and projects:


The newest Disney Theatrical Productions musical, The Little Mermaid — hoping to be a big "part of your world" — officially opens at the Ellie Caulkins Opera House in Denver Aug. 23. The pre-Broadway engagement began its Colorado run July 26.


Directed by Francesca Zambello, the new musical will play in Denver through Sept. 9. Mermaid will then arrive at Broadway's Lunt-Fontanne Theatre, the recent home of Disney's Beauty and the Beast, Nov. 3 with an official opening scheduled for Dec. 6.


Disney Theatrical Productions is under the direction of Thomas Schumacher.


Be excellent to one another.